Thursday, November 15, 2012

March 27-April 7, 2012 Second Trip to the Pacific Northwest

March 27-April 7, 2012

Trip to the Pacific Northwest.  The NCECA (National Council of Educators of Ceramic Arts) was held in Seattle, WA this year, and while I'm not an educator of ceramic arts AT ALL, I thought being there around wonderful work might arouse my creativity and/or confidence for making ceramic art. So I booked a flight and a downtown hotel for 3 days in Seattle.  This would give me 11 days in the Pacific Northwest, so started dreaming and collecting ideas of where to go.

A trip to Eastern Oregon seemed mandatory, as the Columbia River Gorge still beckons me. A short time with nephew Brian, and a little bit of Washington would be great. Then I thought of my old Girl Scout chum, Flaury, who lives in Vancouver. What a treat to spend time with her and perhaps visit her home on Galiano Island. Bare outline made, central mission (the conference) settled, car rented.

Once I landed and picked up the car in Portland, I headed north. There's nothing so wonderful than to be in a new, reliable car, on a road I've never traveled, with 3 days before I have to be anywhere at all. The newness of everything I see and smell, the freedom of no plan, a credit card with a zero balance, and unbounded curiosity--the joy of "beginner's mind."  No preconceptions, no expectations, no desires, no aversions.

However, I've learned that when driving I need to know where I'm going, each day, otherwise I drive dangerously; so I brought a new GPS with me and set it for a town about 2 hours from the airport. I also secured my needs by finding out there was a Super 8 Motel nearby.  If I content myself with a decision about where I'm going to sleep that night, and make sure I eat at least 2 meals a day, I'm free to enjoy movement through time and space much more.

Monday, August 6, 2012

2004 Guatemala CENTRAL AMERICA, part 1 August 15, 2004 

I arrived in Antigua early this morning after a one hour ride from the airport in Guatemala City. I’ve never stopped in GC….it looks so ugly from the air. A large, smoggy city, crowded and unappealing, more than one experienced traveler (as well as the tour books) have told me to head straight out of town.

Getting close to Antigua, the older capital of Guatemala, the air grows cleaner, the streets are lined with rows of bougainvillea cascading over stone walls, and, eventually, the tires clatter on cobbled streets as we reach the central city. I decided to treat myself to a night at the Casa de Santa Domingo before heading out to San Marcos. It’s an old monastery, ruined in one of the many earthquakes this city is prone to, and refurbished elegantly with heavy wooden beams, Spanish tile, gardens and lavishly planted courtyards attended to by several huge macaws. My room is large and comfortable with a little garden terrace outside. The bathroom is larger than some hotel bedrooms I have stay in, and I couldn’t resist the tiled tub with Jacuzzi!

After checking my baggage with the reception desk at 8:30 a.m., I had a cup of excellent coffee, freshly made cheese and tortillas (the waiter laughed a little maybe because I think I ordered a peasant breakfast) and then decided to walk around town. I wandered around all morning, visited my favorite haunts from last year, window-shopped and looked into some of the galleries that featured Guatemalan painters and craftspeople. I love returning to favorite foreign places, feeling the same pleasure I get from visiting an old friend. So much is familiar, and the comfort of the past slides into the present meeting, yet there is still the slight anticipation of strangeness, curiosity and excitement, knowing that something has transpired in the interval between the last meeting and the present.

 I remembered the cafés with large, messy bulletin boards full of news of rentals, movies being shown and Spanish lessons offered about town. Two or three are combination restaurant, internet café, used bookstore and general hang-outs to get away from the bustle on the street and perhaps get into a conversation or backgammon game with another tourist. I remembered the colorful marketplace, which I hadn’t fully explored last year. I remembered the cafes around the central square and the lovely fountain where tourists and locals alike could hang out and relax from the business of the city.

 Many of the old, practically ruined old buildings from the 16th century have been cleaned up and opened as combination parks and historical sites. They juxtapose newer, smooth-fronted buildings painted warm, deep red, yellow or bright turquoise as well as natural colors. No building is over three stories tall, and some are decorated with wrought iron doors and balconies. The narrow streets are cobbled with grey fieldstones which create a deafening sound of truck and car traffic during rush hour. The narrow streets are cobbled with grey stones, which cause a deafening sound when truck and car traffic passes during rush hour.

Overriding all, for me, are is the volcanoes.  Volcan Agua is the primary resident of Antigua. Rising close and dramatic on the south side, it stands as a benign dictator, reminding me of the power of the earth. Volcan Fuego, off in the distance and only visible from a second story window, sends up smoke occasionally. Its distance comforts me, yet it also stands as an observer of human frailty. I understand the ancient people worshiping the fire gods with the volcanoes in their midst.

On my second walk out of the hotel I went to a movie. “Cold Mountain”, a Civil War period piece was playing at the cine off the square. So odd to be transported to 19th century wartime United States and then sudden return to 21st century Guatemala. Not much difference, visually. Arriving at the hotel at 8:00 I was turned away from the hotel dining room because I didn’t have a reservation. There was nowhere else to eat in the hotel other than the formal restaurant. I thought about the testimonials from the Clintons and Madeline Albright, who had stayed here, and wondered what makes people want to rise to the top if they must conform to the hours posted.

Antigua is quaint, but there are so many foreigners living and or visiting that it's also interesting and cosmopolitan. Most of the Mayan women appear serene in their hand woven, colorful native clothing juxtaposed by the agitated Americans, Europeans and Asians in their shorts, t-shirts and tennis shoes. The upscale art galleries, venues for concerts, internet cafes, tour offices and little restaurants and shops are interspersed with lively and colorful street vendors. Women and children carry large, flat baskets, often on their heads, full of woven belts, hats, purses of all sizes and colors, beaded bracelets and shawls. Men carry bags of cashews, peanuts, macadamias and hazelnuts or they drape belts and other leather goods on their arms. The youngest child can balance a basket of textiles on her head, and the oldest woman can sit in the street surrounded by woven articles.

I am tempted to stay here for a few days to look at more of the art, but I need to get to San Marcos to secure my home for the next four weeks. Tomorrow I'll take a van-shuttle to Lake Atitlan. I should be able to get across the lake by noon and hopefully meet up with the woman who holds the key to my rented house. I'm excited about seeing the natural beauty of the lake, as well as meeting the people in San Marcos. I also am anxious to drop off the English books I brought with me (they're heavy) at the local school. I will offer to teach English if they will have me.

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August 16 Woke this morning in Antigua to an unfamiliar dream. In my dream I heard a radio alarm. I tried to pull out a plug, then another—there were many wires connecting it to the wall. Then I tried to take out the battery. It still wouldn’t stop ringing. I was annoyed and considered smashing the thing but feel that’s too destructive. The radio disappeared and I woke up.

 On the ride to Panajachel this morning, I met a young man going to study International Law and Human Rights (what a great title) in Costa Rica. He told me that 51% of the top 100 economies in the world are now corporations, not governments. Shell Oil controls Kenya. The government there has no army—the corporation acts as the military.

Now I’m in San Marcos looking out the front door of this little house at the r ain. It’s a small, white cement block A-frame, with a bathroom and extra room on the back, and a stone floor. I’m sleeping on the second floor, bathing on the first. Small, electric oven with two burners, sink, stone shower and tub. No refrigeration, no comfortable chair. Dogs in the yard. Large, round, yellow, cement platform in the front under a very tall papaya tree. Two English neighbors, Ed and his brother, Kevin, helped me settle in, thank goodness. I felt inept at seeing the physical details, like the standing water in the shower. It took 30 minutes of Ed’s work to get the thing draining properly. I’m unplugging, but not totally smashing, the rules from my life before now.

I'd met a Canadian woman in Panajachel the last time I was in Guatemala who told me she had a house she was interested in selling.   I came to see it, and we corresponded over the next two years; I visited once more, and the following year (as she still owned it) I offered to rent it for a month or so.

August 17 I woke up to bird songs this morning, and roosters crowing. I’m not sure that crowing can be included in the category of birds singing, although there is a kind of rhythmic dialogue between the sweet, musical sounds and the rough, insistent crowing. I’ve slept deeper, these two nights in Guatemala, than I have, it seems, in years. Is it the quiet or the unplugging of the radio? Still, I wake up thinking of my life “back there.”  The man, the work, the money, the parents. All attached to something that feels like failure just now—or at least lack of success. And there’s a vague, somehow both wonderful and disquieting suspicion that what I do now is who I am.

 A dog came to the door to distract me. I threw it some food. I need to buy: soap, purified water, candles.   I suppose we are the work we do. The interactions and efforts we make both define us and limit us ... but we feel we exist. And yet most of human striving is to become free of those limitations and definitions—to reach a state of oneness with something infinite. Goals: to become more visually aware again, i.e., to see like an artist. To encounter others courageously and authentically. To stay healthy.

 Be like the bird Who
 Pausing in flight
On limb so slight
Hesitates ... Then sings
Knowing she has wings (Anon)


 August 18 Las Pyramides meditation, 5:00 p.m. A gray-haired woman in a long white dress, serious, bejeweled, intense.The Spanish girls out in front of the pyramid are courting two children, asking them to draw pictures for them. I'm here for a morning of meditation. First, a regression, she says, and asked for everyone’s age. Mostly the women are in their 20s and 30s. I squeaked out my age (58) and the woman next to me said she was 59! I thought she was perhaps 50 and so did everyone else. A gasp went around the room and the leaderess (who might be in her 60s) said in Spanish “You sure don’t look 59”. I immediately felt like I was 65. What ageists we are!

 Inside the pyramid is at least 20 degrees warmer than outside. Visually lovely, but I wouldn’t want to live here. I can see how it would be cozy in the rain. We sat on hard board platforms, placed on white mats. Am I too cynical for this? Very holy, feminine holiness, and the leader (no name) told us we were going to regress to age seven, which is the time when the spirit and mind come together in an individual human. The thoughts and feelings of age seven are what the rest of our life is led by. At seven my parents were moving our family away from the closeness of an extended family in the East to adventure in the West. Maybe I could use this turning point as reference.

 A couple of relaxation exercises later we were moving backwards in time in our minds. She had to start at 50 for us old folks and continue the backward journey by 5 years at a time. Thoughts, feelings came easily until I realized that I couldn’t remember thirty very well, or twenty-five, or puberty. What I did recall well were selected, memories scattering in time that have become part of my repertoire since then. I’m not sure that memories are good things, then, as we just replay them. They tend to fossilize the attitudes we have about ourselves, for good or bad. Our stories become our life, our expectations, our shadows, our fears, and shape the present. The meditation lasted about an hour, there was a blessing at the end and all was over. What a difference from Donald’s light-hearted, dimpled Buddhist teachings. Perhaps spirituality needs to be serious, but somehow I think we are missing the point if life can’t be laughed at. Especially for those of us who have the creature comforts taken care of to the extent that we do, life is a joy to experience.

After the meditation I took books I hadn't given away to the school. There I met two American English teachers, Magdelena and Kevin. Magdelena is an earnest and enthusiastic volunteer from Riverside, California who came at the behest of a previous volunteer to “set up an English program” at the Institute. From what I saw of her teaching (2 minutes only) I wonder. I hope she can use the books—she agreed that the newer books on the market are flashy, busy and difficult to use. Magdelena was highly enthusiastic, happy to be in San Marcos.  Kevin, maybe 25, ignored me after a quick greeting and seeming like an expat unsure of how to behave towards others from his country.

 And so I returned to my little house at sunset. I read, realized that I don’t have enough drinking water for breakfast, tried to sleep on the unbelievably hard bed and finally gave in to the foam mattress on the floor which is only marginally more comfortable.

A boy of 6, maybe 8, walks home from school with a backpack and a machete. For protection? Later I found out that perhaps it was for hacking his way home through the dense forest.

 A bird in the square hoping onto the door sill of a car to look at himself in the rear view mirror. Again and again, he hops from the mirror to the view point.   Narcissism in the bird kingdom.

 A shopkeeper gives me a flashlight, saying, pay me tomorrow because he has no change for my 50 quetzales.

 I buy veggies at the little grocery. As I’m leaving, pondering whether or not to buy eggs or not, the woman there puts 2 eggs in my bag.


August 19 San Marcos on Lake Atitlan. I am spending lots of time writing, reading, and, doing some art with the watercolor pencils I brought. I'm still looking at all of the green, wondering where one thing ends and another begins. Outside of my house are several papaya trees, guavas, bamboo in the back, loads of ferns and avocados.

 


It is beautiful here, rustic and simple. I don't have refrigeration in my little white casita (it's about 15 x 15, two stories, with a bathroom and small room on the back), but do have hot water, a flush toilet, a fairly comfortable bed, and a view of a volcano out of my upstairs bedroom window. It's a semi-A frame. The first construction is about 15 x 15 feet, two stories, with a small, winding staircase at the back of the room. The floor is made of the volcanic stone ubiquitous to this region (perhaps the whole country) and the walls are plaster covered cement blocks. The second story is the wooden A, dry and solid. A second area was added to the back, creating a bathroom and another small room. This is also stone and cinderblock, and the roof forms the deck outside of the bedroom. I will come to understand that the windows are too high, and there is no comfortable place to sit except on the bed upstairs.



I'm going to start doing yoga every morning for the next two weeks as I've committed all of $10 per week to the woman next door who teaches it. There are several yoga classes going on in San Marcos, which is known for its alternative lifestyles for both expatriates and tourists. Food is plain and simple; there are only a handful of restaurants, one which shows movies on a 19 inch TV, but no museums, few cars, and only two paved roads here in this village, one that comes into town, and the other that goes out (can you guess they’re the same road?). Most of the pathways between houses are dirt, or field stones set in cement. I’ve actually seen a couple of trucks delivering supplies to the three little stores on the central square and I managed to find a flashlight today. Because the shopkeeper didn't have change (a perennial problem in Guatemala for some reason), I was given credit until, as he said, “Whenever you can”.

 Next morning, the combination of heat, lack of breakfast, and a yoga routine far more rigorous than what I have been used to combine to cause a near faint after about 30 minutes of exercise. I am by far the oldest person in the group, and feel justified in dropping out of the routine for a few minutes. Yet I am determined and after three days of ninety-minute sessions, I am feeling better, stronger and eager to continue. My breathing has improved, as has my strength and balance. Dripping with sweat after each lesson, I walk back to my house. I consume a banana, a cup of coffee and bread with oleo.

I'e found three little grocery stores. I did not find a place to buy meat until the last week I was here, so contented myself with eggs, rice and beans for protein. Perhaps because of San Marcos’ reputation as the New Age center of the Lake the emphasis is on vegetarianism, at least among the foreigners. Or perhaps I was just hyper-sensitive to this because of my neighbors. Cristina did intimidate me a bit. I snuck off to San Pedro for a hamburger one day and felt much better for it.

I'm meeting the locals (both native and expatriates). The kids are charming and friendly; the women and girls are shy or noncommittal about me, and the men are busy. Females all wear the local costume, while the men wear simple Western clothes. They speak Spanish, but also Cachiquel, the Mayan dialect of this region. I brought a dozen English language books with me to give to the school. As I sat on the stone benches in the center of town with my pile of books the children were let out of school. Soon I had a group of about ten boys around me, ages six to eleven years old, all eyeing the books and eventually asking if they might look at them. Fascinated, they looked through the English picture books and started reading or asking questions. Eventually they started asking me questions about the books and English and I asked about their language, Cachiquel. Two little boys taught me how to say 'hello' and 'goodbye', but later I found out that they had reversed them. The girls told me the truth after the boys left laughing hysterically. Laughing with them is the best.

 Information from the Internet: In the Highlands of Guatemala are the Quichéan-Mamean Maya languages and dialects, including Quiché proper, Cachiquel, Kekchi, Tzutuhil, Pocomam, and Mam. In the western highlands around Huehuetenango, Jacaltec is spoken. There is lots of building going on in this little village: new homes, road expansion and multiple family/hotel dwellings. I expect that more and more tourism will come in, even though it's not currently very accessible.

 I took a walk around the lakefront today and on my way back, I found a se vende (for sale) sign. The caretaker told me that the house is owned by an Italian family. It’s 4 bedrooms, 3 baths, and they were asking $125,000. It's just across the road from the lake, hence has a great view, beautiful gardens...? I’d have to figure out what the Guatemalan view is of trash before I’d consider living here. They must think that plastic will return to the soil the same way that fallen fruit will. Wrappers, bottles and papers as well as banana peels are everywhere!! There is a huge recycling bin in the center of town, right in front of the secondary school, but no one is taking care of it, and what simply looks like a huge garbage dump is only slightly disguised by signs reading “metal,” “plastic,” “foods”.

  August 23 Life continues to be relaxed and green here. It's beginning to rain more, and I'm expecting September to be pretty wet. There are astounding dry lightening displays almost every night, over the mountains to the east. Last night the lightening started coming close enough so that I could hear thunder, but usually I just see the flashes, sometimes lighting up one entire side of the sky, every 30 seconds or so. In addition to the lightening, there are lightening bugs around the house. It’s hard to know what to look at, but I can’t look away.

I feel out of space and time. The town is small and there is only so much work available. The foreigners are, I believe, expected to be either tourists, who bring new money into the community, or long-term residents who offer a service that will bring in the tourists. My neighbor, Ed, does some construction work for a local vendor, but generally, the expats are not a drain on the economy--they create the economy.

San Marcos is known around the lake for its alternative lifestyles (aren’t all of these lifestyles “alternative”?) from yoga to Bach Flower Remedies to Reiki massage technique. The original and still predominant center for esoteric/healing studies is Los Pyramides, a group of habitable pyramids built near the lake, hosting meditation, yoga practice, living quarters, and restaurant.

I'm reluctant to even volunteer to teach English because it will take the opportunity away from the long term expatriate residents. The Mayan population seems settled, satisfied with the slow-growing foreign business, and eager to work to improve the infrastructure of the town if it will mean economic prosperity. Ostensibly, they listen to the advice and follow the models of the foreign residents. There is a Peace Corps volunteer here who is trying to launch a mushroom growing business. I know very little about him, and I wonder if he’s not the most intrusive of the foreigners, sent by a wealthy government and needing to ‘make work’ for himself, useful or not. The men carry bricks, dirt and cement, dig ditches and foundations, build, fish, run the launches, and run small businesses. The women generally run the stores, sell wonderful fresh bread, tamales, or whatever they can on the streets or out of their backyards, and keep their families clean and organized by washing, cooking, and sweeping all day. Almost all of the women and girls wear native dress, a hand woven, heavy colorful skirt gathered by an equally colorful belt and a blouse or huipile. Almost none of the men wear native dress...the boys wear t-shirts and the men wear long-sleeved shirts and jeans. Perhaps unfortunately, the Mayans also make money by selling their land to the foreigners who want to invest or live here. Much of the prime real estate on the lake is owned by absentee foreign owners or businesses. The valley is planted in coffee and many foreigners live there. The barrios (1, 2 and 3) with their mud huts and concrete block houses (Mayan) are up on the sides of the hills. Time will tell if the Mayans stay in the villages or move to the cities.

September 4 I haven't written for a while and the thoughts and impressions are piling up. I'm writing in my journal, but sitting at the internet seems like too much work somehow. You'll have to imagine more of the same as I've written before. Friday I took off to the 2nd largest city in the country, Xela, as the Mayans call it, or Quetzaltenango, as the maps call it. With its 110,000 people Xela is more political, more cosmopolitan, more…well, it is a city, and after seeing the 1,000 people of San Marcos exclusively for three weeks, it was great to be around people who were over 30 years old, hustling, bustling and looking productive and interesting. My own time there was dampened by adjusting to the 7,000 ft altitude with a big headache and limping around on perhaps the broken toe I gave myself by smashing it in the stone shower for the umpteenth time before I left.

Monday, December 12, 2011

Oregon last summer

Road trip to Oregon August 2011. I'm thinking ahead to other places, other lives. Well, actually this life, but another chapter. There's that constant feeling that I might be missing something, that there's something else. Oregon might be fun to explore. So I loaded up the car, contacted my nephew, and made one hotel reservation (in Hood River, Oregon).

I love to drive, but my stamina for the concentration it takes to drive all day is getting lower. Not to worry, this is America, where motels are abundant, my credit card bill is paid up, and I can speak the language. First stop for the night was Arcata, CA, in Humboldt County, home to a State College and long known for pot production and dropping out into the forests of the Trinity Alps. It is a cute little town, with a town square surrounded by shops and restaurants, laid-back atmosphere. I stayed at a Motel 6, ate at a popular Mexican restaurant and strolled around the square.

As I drove back to the motel that night, I saw a lighted sign above the freeway warning that 50 miles ahead cars were stopped on Hwy 101. Highway 101 is the only route to Oregon at the coast, and its closure would mean that I'd have to travel inland through the mountains, an extra 3 hours of driving that would detour around miles of beautiful Oregon coastline. I asked at the motel desk about the closure, but they had no information. I called the California Highway Patrol but they had no information; as far as they knew the road was open.

So next morning I ventured north, trusting in the highway gods. Almost to the border, traffic suddenly did slow to a clawl. As I inched along, I saw cars parked on the shoulder and dirt and people walking along the road toward a bridge. It suddenly occurred to me that the highway was crossing the Klamath River, where a grey whale and her calf had wandered some weeks before. After about a week the calf had swum back to sea, but the mother whale had stayed behind. No one knew why, and there were fears that the fresh water would harm her skin, and that she wouldn't find enough to eat in the shallow delta.

I parked my car and walked out to the bridge. When I got to the middle, I could see her. Below me, a huge pale shape circling below, blowing air and water out of her spout, and seeming to be enjoying herself for the amusement of onlookers, or waiting, biding her time in the dark green of the Klamath. Mesmerized, I stayed and watched too. She had room to turn easily and to almost disappear into the water, but it was clear that an animal this size could not live in such a small amount of space. I was on the road because I needed more space. I knew that she was in distress ... I certainly would be, if I had wandered into such a restricted environment. There must have been scientists around to monitor, but I couldn't see anyone bothering her. The people watching were quiet, respectful, but also interested.

A tall young woman carrying one and trailing two or three children and a husband came to stand next to me on the bridge. We exchanged greetings and I asked if she knew anything about the whale. She lived nearby and had been to the bridge daily, she said, for two weeks. Authorities had been trying to chase the whale out into the sea by making noise up river, and by making whale sounds down river. But she was not expected to live much longer. I expressed my sorrow. The woman told me that the Hurok Indians, who lived along the riverbanks, had told her they find whale skeletons near the river frequently. It would seem that this might be a hospice for grey whales. Perhaps it was her time. She and her calf had come up river, mother had said good-bye to her baby, sending it back to sea, and she was waiting to die. This, then reminded me of the nature of things. I felt grateful that the Klamath opened into the sea, to allow what was there to find a peaceful place to rest.

Sunday, January 16, 2011

Annunciation paintings 11/30/2010

I have probably seen 10 or more paintings of The Annunciation, the moment when an angel appears to Mary, wife of Joseph, and informs her that she is pregnant, by immaculate conception, with the son of god. On seeing the first painting, not knowing what it was, I was struck by the sense of tension between the angel and Mary… she not comprehending, he (the angel is male, I believe) simply present with the news There must be symbolic and prescribed forms in all of the paintings… Mary usually holds a book; there is a dove or bird overhead; the background is somehow divided so that Mary and the angel are of different worlds, but united vividly in the foreground by the news; Often, there are rays of light emanating from the angel towards Mary.

My first inclination is to identify with Mary … to put myself into the state of receiving such news … a virgin … having a child … pregnant ….

She has, in all of the paintings, a humanity to her … a face that reveals surprise, acceptance, shock, resignation, disbelief, refusal ….the emotions that a woman would normally feel at this kid of news. Was she raped? Did she dream this implantation? What would her husband say? Who is this child? How will I deal with this? Get outta here! I don’t think so! Unwilling, powerless, accepting fate, wanting to escape, refusing this commitment, curious about the babe.

There is pregnancy in the paintings themselves … the tension leads the viewer to wonder what will happen next … who she will become, where the angel comes from and who will take care of this mother in waiting.

Michelangeo Buonorotti 11/2010

Michelangelo was born in Arezzo but moved as an infant to Florence. The family lived in the Casa Buonarotti near the Santa Croce and the house still stands to this day. He was given a formal education including Greek, Latin, and Hebrew, wrote poetry, had fine handwriting, lived a religious life. We know nothing definitive of this personal life, though through his poetry he expresses emotions, friendships and loves. He was a small, but strong man.

He had a connection with stone masons and a quarry through a distant relative, who was a mason. In Settegnano, a town where his wet nurse lived, he developed strong bonds with the industry of stone cutting. He was apprenticed maybe at Ghirlandaio’s studio at Santa Maria Novella for two years. Later, when working on the Sistine Chapel, he hired workers from Ghirlandaio’s studio.

He was a lousy student at school, liked to draw in class, as many students do. As he grew up, around him were the Giotto frescos and alters at Santa Croce, the Peruzzi chapel, the Brancacci Chapel, where the Florentine artists went to draw. There are drawings which show the influence of Giotto and Brancacci. There are the cross hatchings in his sketches which presage the later cross hatching of his sculpture.

In the 1490s Lorenzo the Magnificent was thinking about the lack of fine arts in Florence. Donatello had sculpted his grandfather, Cosimo, but there had been no fine artists since then. He began to scout around for talent to include in his school of arts, to be opened in the Medici Palace. Mich was 15 years old and was chosen from Ghirlandaio’s studio to live in the Palace with the Medicis. He was about the same age as the eldest son, who would become Pope Leo? And was given referred treatment by Lorenzo who basically educated Mich in the neoclassical schools. Mirandola and Poliziano were his teachers.

Bertoldo di Giovanni was the master of the sculpture school and under his tutelage, Mich completed as “exercises” , Madonna of the Steps (after Donatello) and The Battle of the Greeks and Centaurs (1491), which shows his emerging style in high relief. This work revealed the psychological conflict and tension that Mich was to exhibit in his life and work.

After Lorenzo died, Mich went back to his father’s house and started dissections of corpses at Santa Spiritu church in an effort to understand more about the human anatomy. Though his drawings were not extensive and scientific, like Leonardo’s, what he found out informed his sculpture profoundly. His drawings were not done in situ; he was studying them for movement and the drawings and wax sculptures he did revealed his understanding. Mich gave the prior at Santo Spiritu a wooden crucifix as compensation for letting him get into the mortuary (now exhibited at the Santo Spiritu chapel, although contested as to its authenticity).

Politically, Savonarola is now preaching divine punishment and repentance sermons in the piazzas of Florence, against the Medici, who had become corrupted by power. Threats were also coming in from France and in 1494 Charles VIII of France entered Florence. For the next 30 years Florence was in turmoil., changing governments and rulers every few years.

Mich went to Venice, then Bologna. He is 19 years old. Piero di Medici is thrown out of Florence, Charles VIII enters and tentatively welcomed by the Florentines.

From Bolongna, Mich went to Rome and worked on private sculpture commissions. The Bacchus (1496-7) and the Pieta (1497-1500) established him as a major talent. The Pieta form had come to Rome’s attention from work done in Northern Europe and a French cardinal commissioned it for Saint Peter’s Basilica.

Background history of Michelangelo’s David. In the 1460s, the Medicis planned to decorate the great Duomo with Old Testament prophets. Agostino di Ducchio is commissioned to make David for the rear o the Duomo. He, in his arrogance, decides he wants to carve a colossal figure (2 or 3 times human size) to compete with the ancients and wants to do it out of one piece of marble. This had never been done before, as most sculptures (even small ones) are carved in several pieces and then resined together. A huge piece of marble was cut at Carrera… 20 feet tall and weighing 6 tons. It is brought with great effort and care into Florence and installed at the wool guild where Agostino will begin work on the David. At the beginning of his work, Agostino breaks into the stone and finds a unacceptable black stain, thereby wrecking the marble for the design he had planned. In the dead of night, he leaves Florence, and goes to England, never to return. The block of marble sits in the wool guild quarters for 40 years, untouched.

1492--Lorenze d’Medici is on his deathbed. Mich has been at the Medici Palace for only 2 years. Savonarola s preaching against the neo Platonists, who have been Mich’s tutors. Savonarola refuses to give Lorenzo the last rites unless he promises to give up his power and supposedly wicked ways; Lorenzo refuses to abdicate power and thereby refuses the last rites. Next in line, Piero di Medici takes power uneasily and defensively, and this doesn’t go down well with the public, or Savonarola, who leads a rebellion against the Medicis. Some of them go to Rome, leading in later years to their ascension to the papacy. Savonarola starts a reign of terror against the art of the Medicis, burning books, paintings, etc. This is known as the Bonfire of the Vanities, The Pope in Rome commands him to cease and desist his rants. Savonarola refuses and insults the Pope, who then lets the Florentines know that they may do what they like with him. They promptly arrest, condemn and burn him to death, and a new republic is instituted.

In 1501, the president of this new Florentine republic asks Mich to come back to Florence to sculpt the colossal David, which has been waiting for 40 years. This will be a symbol of humanism, liberty and individuality. Mich offers to do it without pay until it’s finished, and let the government of Florence pay what they will. As the figure is finished, Mich wonders about the placement of the statue. It is so huge that there are logistical problems with installing in on the Duomo. The government and various artists (including Leonardo) meet over the controversy. It’s decided that David will be placed at the door of the Palazzo Vecchio and become a civic symbol rather than a religious one.

Neo Platonists believed that creation came about by the removal of the obscurities of nature to reveal the soul and essence in objective form. Mich adopted this philosophy in his sculpture, preferring to sculpt stone with the intention of taking away that which obscured the artist‘s vision, rather than adding paint or clay to create the piece of art. David was the ultimate ‘ex uno lapide’ (one piece of stone, which, in tact, could reveal the figure of perfection, the soul). David reveals the ‘vita activa--active life; as well as ‘vita contemplativa’ the thoughtful life, that were (and are) present and in conflict in every human being. He shows us both as David stands, alert and planning to throw the stone that will kill Goliath. On one of the drawings Mich made before the sculpting he writes “David with the sling, but I (Mich) with the arc (the sculpting tools.).

Walk around Rome 10/29/10

Lonely Planet guide books writes up a short walking tour that pays homage to Roman Holiday, the film that won Audrey her fame and Oscar. While I didn’t do the whole route and didn’t pray at each site, it was a manageable walk for a sunny day.

The Castel Sant’Angelo is about 10 minute walk from my pensione, on the banks of the Tiber. It’s a mausoleum for Emperor Hadrian and his family, built in 128 AD. Converted to a fortress in the 6th century. Of more interest to me is the Ponte (bridge) d’Angelo also built by Hadrian. Bernini and his students created the angels which decorate the bridge.

I diverted from the walk here and crossed toward the center of old Rome to the Piazza Navona, where there are 2 fountains--one to Neptune, the other depicting the 4 great rivers--Ganges, Nile, Danube and Plate … another Bernini creation. Lively, full of art vendors of varying quality, stilted mimes in gilded costumes, bubble blowing salesmen, music, pigeons and surrounded by the Chiesa di Sant=Agnese in Agone and the Palazzo Pamphili.

On to find the Pantheon, I turned the wrong way and wound through narrow streets, flanked by buildings of 4 stories or more, until I came to a street with a name I could find on the map … Victor Emmanuel, large boulevard (maybe one of those circular roads?). Anyway I followed it for a while, surprised at the moderate traffic, clean streets, rooftop gardens, ease of walking. I came to the “Sacred Site” which is a hole in the ground uncovering just that, …. And cats. The cats stay in the dig because they’re fed by the city. Adds to the attraction.

Going left across V.E. I found the Pantheon, partly by following groups of what could only be tourists enmasse … again not what I expected. Attributed again to Hadrian in 120 AD who built it over Marcus Agrippa’s 27 BC temple. Hadrian’s round outer walls are visible and strong, but the front façade is what astounds. 16 Corinthian columns support the pediment; inside the dome (“the largest masonry vault every built”==I guess St. Peter’s is built of something else). Light comes in through the oculus at the apex which is a 9 meter opening in the dome. Here’s where a tour guide might have come in handy, but the quality of light and the circle of light it threw on the wall of the dome was spectacular, even without knowing anything about it.

I went in search of a WC at this point. There were a couple of ladies on segways labeled “tourist angels” and one told me that I needed to go back to the Piazza Navona and would there find a toilet. Though I’d circled for 30 minutes or more to find the Pantheon, P.N. was very close and I found a clean, free restroom once I remembered what WC meant. Walked back toward Pantheon and had lunch at one of the side street cafes. Touristy, but delicious and efficient … strozzopezi (curled pasta) with some tomato sauce, fresh tomatoes and fresh greens and parmesano shaved on top; a glass of vino tinto .. Yum… 10 euros.

Creature comforts taken care of, I moved on to the Piazza della Minerva, Bernini’s Elefantino sculpture, (a cute elephant with a mischievous eye and an obelisk on his back) and the Chiesa di Santa Maria Sopra Minerva, full of wonderful stained glass windows currently throwing colored light about the church, and frescos. Most moving to me was the chapel of the annunciation with frescos by Filippino Lippi..

Outside again I headed for the Trevi Fountain, also on the Roman Holiday walk and of course Anita Ekberg’s favorite bathing place. Tourist concentration increased as I approached, and through a narrow street marched hordes. Arriving was like being at Sea World with a gallery of onlookers already seated. The fountain is indeed stunningly beautiful--bright white, with blue pools of water around it. But forget throwing 3 coins into it and wishing; or experiencing existential angst or romance … this is more of a circus atmosphere … Juliet of the Spirits perhaps, not La Dolce Vita. I sat for a couple of minutes …these crowds are not obnoxious, somehow sweet, everyone really enjoying the idea as well as the fact that they are sitting or standing near the Trevi Fountain.

Continuing on to the Spanish Steps, up a gentle hill (not planned but this way I walked DOWN the steps, not up) past delicious looking sandwich shops (artistically put together cheese, olive and meats displayed in windows). No gelato yet, however. Reached what I assumed to be the top of the steps, although it was hard to tell, and there they were, full of people again, mostly resting, hanging out, as if in a park. At the bottom of the steps, I too rested, and then headed back to where I thought I could cross the Tiber again to my pensione. Did so easily and quickly.

Finally stopped for gelato about a ½ block from ‘home’. All I can say is that gelato in the States is not gelato. This is a food group, or should be. Met some Americans also enjoying the experience and we exclaimed over the creaminess, flavor, and total fullness of the perfect food
Wednesday Nov 3, 2010

Two hours at the Uffizi today visiting again with Filippino Lippo and his far more interesting father, Filippo Lippi, the horny monk who got a nun pregnant (twice). Moving back to 13th century room, I could see the progression to the beginning of perspective from Giotto and, more impressive to me, Ambrogio Lorenzetti and his brother, the other Lorenzetti. The small story panels look almost abstract … lack of perspective, but shape created with blocking the background and placing the figures on contrasting panels. Almost use of chiaroscuro in an attempt to place background in perspective to the figures.

Later, gilt paint makes the figures pop from the canvas like a cut-out card of psychedelic tromp d’oiel.

Moved on to Lorenzo de Credi (stunningly beautiful Venua) and Raphael Santi.

Michaelangelo’s Nicodemis Pieta at the Museo d’Opera. Donatello statues of prophets and reliefs of angels. How does Michelangelo insert his spirit into the pieces he carves. The figures emote, therefore they live. Then lunch--a pizza and a bottle of water sitting on a bench outside the Duomo.

British Institute: Defining the Artist, Alan Pacuzzi

Ars-art
Greek - technic--technician
Modern: someone who creates, with a special skill, work of aesthetic value
Plato: liberal artes--intellectual (only free men) studied philosophy, math, music
Artes vulgaris -- crafts (for slaves) were painting and sculpture

Painter and sculptors were at the same social level as slaves, though they were paid. Their technical, rather than creative talent was valued.

In classical Greece, artists eventully became known for writing and someone wrote treatise on arts.

476 BC Roman takes over Greece. Roman liberal arts education (116-27 BC) includes architecture, music, and rhetoric alongside philosophy. 2nd C AD Galen added painting and sculpture to a list of liberal arts.

Still, painting and sculpting were not suitable professions for a Roman citizen.

312-337 AD Constantine
Naturalism of earlier works, which was pagan, changes to be seen as iconic images of power, not real people. Imperial Rome chose more sophisticated art to adorn their palaces.

787 Catholic Church starts to proscribe composition of paintings. Medieval art and culture is concentrated in the monasteries. For hundreds of years.

12th century brought monumental gothic cathedrals. Architects were masons/workers and had “no time to contemplate design”. They still had low social status.

However, in the 12th century Tuscanythere waa an increased demand for painting, then in the form of illuminated manuscripts done by monks or lay brothers.

In the late 12th and 13th century painter’s shops started… They joined the apothecary guild (because mixing paints was like alchemy). Business contracts began to be made for art work between artists and patrons, but medieval artists were still considered bufoons, bohemians, moody characters. Artists’ writing indicates they are fulfilled by the technical perfection of their work, not its content.

As cities grew, demand for the arts increased and competition begins among the buyers for fine artists to decorate the homes and palaces. Florence 1270-80 there was an economic boom, banking increased, population increased, and the florin was used all over Italy. Strong merchants guilds formed, there was a spread of religion and its artistic objects.

St. Francis and St. Dominic lived at this time. Religious spread for the following purposes.
1. Didactic art
2. Mnemonic device … remember the stories of bible
3.denotatiobn

Artists now had become professional illustrators .. Guilds strengthen ARTE. By the end of the 13th century guilds had political power … sculptors and architects joined stone masons. Painters joined apothecaries. They were now considered skilled craftsmen.. unconventional, but individual and valued.

HIGH RENAISSANCE

Brunelleschi & Duccio challenged the guild system by refusing to pay dues. They were jailed, but the Opera dell’Duomo freed them because they needed them to finish the design of Florence’s cathedral. Tension of group (guild) vs. individual artist starts in the artistic mind.

Brunelleschi does not work along with the masons/builders. He does the drawings and design; the others do the building.

Cennino Cellini wrote an artists treatise
Leon Batista Alberti (1404-73)… Treatise de Pictura or Comentarii della Pittura
Use nature as ultimate guide
Starts to turn artist to scientist (powers of observation recognized)
Use of perspective means artists must use math
Precusor of Leonardo?

Perspective was means by which artists could show the natural world by relying on absolute rules. All things within the space must be realistic and make sense. This led to the need to know anatomy, color, shade theory, etc.

Leonardo as the first to define the artist as an intellectual professional.
Painting without perspective is not art
Math in paintings elevates the mind
.
End of 15th century.. Artists no longer need guilds but have now merged into society with men of learning. Artst is more than craftsman. Artists are self aware and believe I their intellectual abilities. They put self portraits in their works … the extreme of self confidence

Leonardo: The painter is creator of anything he wants
Michelangelo: Whatever the artist has in his head, he can create with his hand.